Lost films. Forgotten directors. The Indian shorts, docs & features the dropdown menu was never designed to surface. We archive, we curate, we surface things you should have seen by now. Consider this an intervention.
Lost films. Forgotten directors. The Indian shorts, docs & features the dropdown menu was never designed to surface. We archive, we curate, we surface things you should have seen by now. Consider this an intervention.
There's a reason some of us cry in theatres over things we wouldn't cry alone. The collective experience of film isn't a nice extra — it's the whole point. Online screenings. IRL pop-ups. Conversations with the people who made the thing. We recreate the vibe.
We're not just celebrating overlooked films — we're building the proof. Community demand, screening numbers, an audience on record telling distributors and platforms there's a crowd waiting. The films get a second life. The audience gets the films. This is what we do instead of waiting for someone else to fix it.
Neeraj Ghaywan is back with another deep meditation of the Indian human condition constantly triggered and probed by a system built to inflict suffering.
Uttara Singh turns her lens on sexuality and vulnerability through her treatise on the Big Indian Wedding.
Indian studios fail and fail again to adopt the western franchise model and try to create universes out of paper-thin plots and characters.
Rohan Kanawade on why he chose to challenge heartland sexuality and vulnerability in Sundance winner Sabar Bonda (Cactus Tears).
Enter the Blip